Sites
Website and its Architecture
The Museum of Hearth website is itself a Hearth within the World Wide Web (WWW). It serves as a condensed digital presence of the Museum, bringing together research, literary works, educational projects, engineering concepts, games and practical activities within one coherent environment.
The website is intentionally built in an old-school style using primarily HTML and CSS. Its foundation emphasizes clarity, permanence, direct communication and technical transparency. Additional technologies may be introduced where useful without changing this basic structure.
The website was designed by Mac Waves. During its development, Non-Biological Intelligence (NBI) served as an assistant in programming, editing and code generation. The conceptual architecture, organization and structural principles remain the work of the human author.
The Museum is organized as a hierarchy of interconnected spaces. Each principal page follows a related structural pattern inspired by the concept of a Crystal: a condensed unit of organized information. Seven principal elements are organized around a central position that acts simultaneously as nucleus and Gate.
The pattern is self-similar. Main navigation, page submenus and future extensions can reproduce the same organizational logic at different scales. This creates a simple fractal architecture in which increasingly detailed maps retain a recognizable structural form.
The seven surrounding elements follow a four-plus-three structure. The first four primarily develop the present field, subject or map. The Gate marks a transition. The following three open the structure toward broader development, application or another horizon.
A Gate is therefore more than an ordinary hyperlink. A hyperlink connects locations. A Gate connects maps, horizons or levels of organization. Information condensed within one structure may reach the Gate as a Seed and unfold within another map. In the wider Circular Mathematics model, this transition is related to Origin: the point from which a new mapped structure may begin.
Visitors can return to the homepage through HEARTH in the main navigation. The Realm 69 emblem provides access to the Constitution of Realm 69, the broader conceptual framework within which Museum of Hearth exists.
The website contains work developed across different periods and disciplines. Its architecture is therefore also part of the research: an experiment in organizing complex material through recurrent structures rather than through a single linear hierarchy.
Gate Notation
...
—
General Museum Gate
The general connector between a particular map and a broader horizon.
It is associated with Origin and with the passage of a Seed into a new map.
[Q]
—
HEARTH
Custodian Ignis — steward of the project and the Gate position of the
homepage structure.
α β γ
—
WORKS & PRODUCTS
A triple structure whose components form a larger whole.
It may describe complementary domains, stages or perspectives.
(***)
—
EVENTS
General notation for Timing before particular temporal coordinates
are inserted. The round brackets indicate a general three-coordinate
timing structure.
[WWWW]
—
NETWORKING
Four Time Spaces — a speculative extension of the WWW model
toward interaction between digital networks and human organisms through
an interactive chip.
"WW"
—
●●●
Keyboard notation for the Fraction of Infinity.
Its dedicated Rune and mathematical interpretation are developed within
Crystal Basic and Circular Mathematics.
[Yoga]
—
RESEARCH
The Gate position interrupts technical and experimental research with
a technology of maintaining and integrating the human organism:
Mind · Body · Spirit.
8·8·8
—
OCEAN
Ocean notation for an almost-infinite experiential environment from
the scale of a single human organism: one of the largest terrestrial
spaces with which a person can directly move, navigate and interact.
[MBS]
—
TANTRIC HUMAN
The human organism represented through
Mind · Body · Spirit.
&&&
—
Thread Separator
Not a Gate. It marks a cut between threads, scenes, viewpoints or
research directions in a linear structure, analogous to a cut in
film editing. It is also used in working dialogue between human
researcher and NBI.
Products
Fireplaces
Hats from palm leaves
Film
7 Islas
........
description to insert
Ambassador of Atlantis
........
description to insert
Theater
Facing Shadow
performances @ La Bodega, San Pancho, Dec 2025 - Jan 2026
with : AXEL HERNÁNDEZ SÁNCHEZ as Shadow, MAC WAVES as Persona,
ANDREW HOLMES as Master Shadow and PAULINA FRANCO as Flame
Lights by MATTHIAS, LEO SIVIRA y Viqui Latini from La Bodega
Video by AXEL WOLF
Assistant Procucer: NADIIA PACHULIA
Make-up and Transport: EUGENIA OROZCO
Special Thanks to: RODRIGO SANTIAGO, STEVEN MILLARD, AMARA & TEAM of LA BODEGA
[ Raw Footage in Shared Google Drive of MUSEUM OF HEARTH ]
Crystal Triads
α β γ
Triads of informations derive from author's studies on dynamics of 3-element sets and their possible applications to computer programming.
The entire "Book of Trinity" is an example of these studies.
Presented on this Website "Crystal Basic" introduces a communication paradigm, based, among other inspirations, on trinary logic.
Games
Wizard
Game of Fractal Time
description available upon request
Scrabblegraphy
description to insert
Time of Conversations by the Hearth
A social dialogue game developed by Mac Waves, Gachu, and ChatGPT NeoLumen.
Rules
1. Define the Crystal
Before the game begins, the participants define a Crystal—the general theme or reference of the conversation.
The Crystal establishes the common space of observation for all participants.
Example
Current chapter of life
- Where are you in your life-journey?
- What are your goals or missions in this chapter?
- Who are you now?
2. Determine the Session
Before starting, the participants agree on:
- Number of participants (2–12).
- Number of turns per participant (1–3).
These values remain fixed for the entire Crystal.
3. Construct the Entries
Each entry consists of three sentences.
The sentences may be:
- an original thought,
- a quotation from the participant's own work,
- a quotation from another author.
At least one sentence in every entry should come from an external source.
Together, the three sentences present three complementary perspectives on the defined Crystal.
One participant's complete contribution forms a Micro Crystal.
If the session consists of three turns, each participant contributes nine sentences. Together they form one complete Crystal.
4. Listen
Participants do not interrupt, debate, defend, or attempt to convince.
Each participant contributes another observation of the same Crystal.
The dialogue is based on attentive listening.
Because condensing a chapter of thought into a single sentence is demanding, participants may also play asynchronously—for example by exchanging their entries through email or a shared group before meeting.
5. Close the Crystal
After the agreed number of turns has been completed, the Crystal is closed.
- No extensions.
- No additional replies.
The dialogue becomes a complete record of that moment.
6. Emergence
After the Crystal is closed, the participants—or ChatGPT NeoLumen (NBI)—may formulate one emergent sentence summarizing what has arisen from the dialogue.
The emergence does not replace the Crystal; it reflects it.
7. Naming
The completed Crystal may receive a name.
The name compresses the dialogue into a single conceptual unit that can be archived, revisited, and connected with future Crystals.
First Entry by Mac Waves
*
Tak mało wiem o oceanie, mikrodrobinę całeczki nieskończoności…
**
"Naucz się panować nad własną siłą. To trudniejsze jest od pokonania słabości."
— Stanisław Ignacy Witkiewicz
***
Sabiendo tak poco, a vos entrego, una fracción de infinito.
Books
Sudoku Set
Ongoing project, partially published or shared under the pen name Mac 333. Links to available books will be provided.
THE TRILOGY
Book 2 — BOOK OF DUALITY — Road Down The Hill
Book 4 — BOOK OF 4 TIME-SPACES — w w w w
Book 8 — BOOK OF ANALEMMA — Eight Minutes
THE TRIPTYCH
Rune 6 — Clockwise Rotations
Book 1 — BOOK OF SINGULARITY — Bardo
Rune 9 — Counterclockwise Rotations
THE TERNION
Book 3 — BOOK OF TRINITY — Third Eclipse
Book 7 — BOOK OF FRACTAL TIME — Seven Crystals
Book 5 — BOOK OF PENTAGAME — Fifth Axis
Mac Waves' Books
Mac Waves' Logbook — Tao of Ocean Swimmer
CRYSTAL 333 — Computing within the Ocean & Surfing through the World Wide Web
Crystal Basic — Language of Sensual Programming
Transcendental Node and Circular Mathematics
Mac Waves as a Case
Mac Waves is an imaginary person living a real biological life.
The path did not begin as a rejection of civilization or as an attempt to become independent from its economic structures. Such a claim would be hypocritical. It began as a search for another possible relation with the existing system: whether a biological human life could be sustained with minimal possessions, without a permanent structure of income, and with the principal investment directed toward one's own path.
Southern countries offered one important condition for this experiment. Where survival does not require protection from a long winter, one fundamental material requirement becomes less absolute: permanent shelter. This does not eliminate economics, but enlarges the zone in which alternative microeconomics can be tested.
For Mac Waves, the second fundamental condition was the ocean.
Living with less had a purpose: to remain close to the ocean and continue the development of the swimmer, observer, sailor, and researcher. A different path might require a mountain, a forest, a laboratory, or another territory. The essential question is to recognize one's own path and construct a life capable of remaining in contact with it.
In Tenerife, participation in volunteer programs provided some of the first practical solutions. This was followed by the creation of an independent voluntary activity as a fireplace's host in La Caleta Park, connected with the beginnings of Mac Waves' relation with Playa 333.
Navigation extended the experiment. The first sailing opportunity arrived as an invitation to participate rather than as a transaction requiring a material contribution. At that moment there were no material resources available to purchase such an experience. Participation itself became the exchange.
Many encounters along the journey reinforced the same possibility. Some of these people appear in Tao of Ocean Swimmer and in what became known as Tribe 333. Their message, expressed in different ways, was similar: do what is genuinely yours. Continue the work, the research, the quest. Abandoning the path in order to secure the material conditions first can also mean never discovering what the path was.
Bruce Lee expressed something close to this problem with exceptional economy:
“to express oneself honestly, not lying to oneself.”
The difficulty belongs to the statement itself.
Following such an idea did not produce an easy life, and the case of Mac Waves is not a universal prescription. Security was often absent. Electricity and other modern facilities could become optional. Permanent income was not guaranteed. Hunger became, at certain periods, a serious companion. So did solitude. Travelers following similar trajectories could meet and then return to their structures of security, while the path of Mac Waves continued.
The experiment has costs. Choosing another relation with the prevailing economic structure does not make biological requirements disappear. It may, however, change how their economy is perceived.
A fruit shared with another person on a beach after a day without food may carry a value difficult to compare with a full dinner consumed in an urban environment. Sun, ocean, movement, human presence, food, shelter, time, and money participate in different forms of exchange. Their values are not identical in every environment.
This suggests a simple microeconomics of the path. Energy stands at a high level of exchange: what sustains, moves, restores, or transforms the biological creature. Time is another fundamental currency, particularly the quality of time required to create, learn, investigate, travel, help, or participate. Money remains a powerful instrument for transferring possibilities between people and systems.
The Mac Waves experiment has not demonstrated a continuous life without money, nor does it claim to have done so. It has demonstrated periods in which very little money, or temporarily no income, did not prevent continuation of the path.
The influence of Grigori Perelman belongs here not as a model to imitate literally, but as an example of sequence. First comes the work. Something must be discovered, constructed, solved, or achieved within one's discipline. Only then can a refusal, withdrawal, or broader statement concerning the surrounding system acquire the weight of an action rather than merely the form of a declaration.
Mac Waves therefore proposes no revolution in the binary sense.
He is a case of an alternative life.
Maciek remains a biological person living within ordinary geographical, economic, and social realities. Mac Waves is the constructed identity through which another trajectory is being tested. He may possess no separate official identity, yet he acquires biological presence through the continuity of actions performed under that name.
The experiment is neither complete independence nor complete participation.
It is a path of possibility.
Its Gate remains open.
Within the micro-institution — Museum of Hearth — defined by the Constitution of Realm 69, the right to investigate that possibility is stated through life, actions, research, and Tao.
Mac Waves exists insofar as the path continues.